ABOUT THE FB POCKET ORCHESTRA


FB Pocket Orchestra is a UK-based ensemble whose collaborative practice has developed continuously since 2004. Bringing together a consistent core of performers, the group has built a distinctive body of work rooted in collective composition, improvisation, and cross-disciplinary performance.


In their early career, the ensemble was invited by the British Ambassador to undertake a tour of Latvia, Estonia, and Lithuania, as part of cultural celebrations marking the Baltic states’ accession to the European Union. This international engagement established the group’s longstanding interest in cultural exchange and site-responsive performance.


The ensemble has released four studio albums, including a recording produced at the BBC’s Maida Vale Studios, reflecting both their commitment to high-quality production and their engagement with historically significant recording environments. The album Guerilla Jazz (2016), achieved International Jazz Top 10 status, marking a significant milestone in the group’s global recognition and reach.


FB Pocket Orchestra has presented work in a range of prominent cultural contexts, including performances at Canterbury Arts Festival, a three-year residency at Tate Britain, and an appearance at the Royal Albert Hall as part of the BBC Proms Season (2015). Alongside these institutional platforms, the group continues to prioritise flexible, responsive performance formats that engage diverse audiences.


Add - touring to non-arts venues, rural touring schemes, taking accessible work to non-arts audiences???


In 2025, FB Pocket Orchestra developed and toured Scrooge Live, a large-scale performance project presented across the UK, from Blackpool to Bournemouth. The work centred on the reimagining of a mid-20th century score by Richard Addinsell, bringing this material into a contemporary performance context through live interpretation and adaptation. This project marked a significant development in the ensemble’s approach to research-led performance, initiating a new strand of work focused on uncovering and reinterpreting overlooked British repertoire. This ongoing enquiry now underpins the ensemble’s current project, extending their exploration of how archival material can be reactivated and re contextualised for contemporary audiences.


Across two decades of activity, FB Pocket Orchestra has sustained a collaborative artistic model that emphasises longevity, experimentation, and dialogue between performers, spaces, and audiences.

OUR PROJECT IS A DEVELOPMENT FROM OUR SUCCESSFUL 2025 TOUR OF:


SCROOGE LIVE TO FILM

WATCH THE TRAILER

Audience Feedback for Scrooge, provided by venues:


“The FB Orchestra were magical”


“The musical accompaniment was exceptional”.


“FB Pocket Orchestra were magnificent such a full melodic triumphant accompaniment, really brought the scenes to life, with so many instruments loved the wind & percussion & a solo gentle guitar lovingly played, the musicians where first class”


Social Media feedback:

“Absolutely superb performance. Highly recommended. “


“Congratulations on an amazing new experience! Love it!”


Feedback for the rest of our work:


“FB Pocket Orchestra is an impressive little group, with an infectious melody that will create an ear worm—it’s running in my head right now!” Bob Katz - Inner Fidelity


“ [A] highly entertaining evening of music, wittily and informatively presented and featuring some excellent singing and musicianship” TheJazzMann.com


“FB Pocket Orchestra are without a doubt one of the best bands working the circuit today” Artree


“Packed with musical talent” Dorset Echo


"The @FBPocketOrch - one of the best @Live-Local shows I've seen - Fantastic musicianship, charismatic personalities and a wonderful playlist" David Lane - Live and Local


CREATIVE TEAM

PAUL STEVENSON

Artistic Director, Transcriber and Arranger

Paul Stevenson began his professional career as a supporting musician with Red Lightnin’ Records, performing on tours and concerts alongside leading American blues artists including Billy Boy Arnold, Little Walter, Buddy Guy, and undertaking international touring with Chuck Berry.


He studied contemporary music at Leeds College of Music under Graham Herne, before being awarded a scholarship to the Guildhall School of Music and Drama, where he completed postgraduate studies in composition and orchestration with Scott Stroman. He later gained an MMus in Arranging and Orchestration from Middlesex University and a PGCE from Kingston University.


Alongside his studies, Stevenson developed a successful freelance career as a performer, director, and arranger. His work has included collaborations with ensembles and artists such as the Chrissy Lee Jazz Orchestra, The Andy Prior Big Band, The Drifters, Ben E. King, and Clare Teal. His arrangements have been broadcast on BBC Radio 3, including performances by Digby Fairweather, and have subsequently been adopted by artists including Michael Bublé.


Internationally, he spent two years in the Caribbean as Musical Director for Air Tours, where he was responsible for transcribing material for visiting artists and preparing performances with resident bands and orchestras.


Stevenson has also held significant roles in music education, including two years as Artist in Residence for Hampshire Music Service and six years as Director of the Hampshire Youth Jazz Orchestra, reflecting a sustained commitment to nurturing emerging talent and supporting the next generation of musicians.

JENNY RUSSELL

Musician and Marketing Manager

Jenny is a multi-instrumentalist, vocalist and educator whose practice is rooted in performance, collaboration, and musical exploration. Performing publicly since the age of three, her work reflects a lifelong engagement with music across a wide range of styles and contexts.


She trained as a classical saxophonist with Gerard McChrystal, while also developing a strong grounding in jazz through study with Martin Speake and vocalist Jacqui Dankworth. This combination of classical rigour and improvisatory practice continues to inform a flexible and responsive approach to performance.


A graduate of Trinity Laban Conservatoire of Music and Dance, she maintains a diverse instrumental practice, performing across saxophones, piano, clarinet, tuned percussion, handbells and voice. Her work often involves moving fluidly between instruments, adapting to varied performance settings and collaborative environments.


From 2004 onwards, she has performed as part of the FB Pocket Orchestra, undertaking, at times, an intensive schedule of up to 250 performances per year. This sustained period of high-frequency performance formed a significant part of her artistic development, cultivating resilience, versatility, and a strong connection with audiences in a wide range of settings.


Her early musical development included success at festivals such as the Beckenham Festival and through participation in Music for Youth, alongside the award of a bursary in her first year of senior school to study advanced music theory alongside A-level students at a local college.


Supporting Practice


Since 2020, Jennifer Russell has gained substantial experience in production, event delivery, and creative project management, extending her artistic practice beyond performance into the practical realisation of large-scale cultural work.


She holds a PGCE, though her work in this area is primarily centred on facilitation and collaborative music-making rather than formal classroom teaching.


She has developed significant expertise in large-scale event coordination and delivery, including leading projects through local authority Safety Advisory Group (SAG) processes for events of up to 5,000 attendees. She holds a NEBOSH Health and Safety qualification, underpinning a professional approach to risk management, compliance, and the operational demands of live events.


From 2023, she has managed social media and digital presence for a small stately home and estate in Hampshire, developing audience engagement through creative content and strategic communication. As part of this work, she conceived and established a local festival, contributing to the site’s cultural programme and strengthening its connection with local audiences.


Since 2006, her work with FB Music and Media Ltd has allowed her to combine artistic direction with logistical oversight. This strand of her work reflects an ongoing interest in how music is produced, situated, and experienced, from concept through to live delivery.


OLLIE CORBIN

Musician and Producer

Ollie Corbin is a percussionist, electronic musician, and producer. He was awarded a scholarship to study at Birmingham Conservatoire and graduated with First Class Honours in Soundtrack Production from Bournemouth University.


As a musician, he has performed at venues and festivals across the UK and internationally, including Birmingham Symphony Hall, Royal Albert Hall, and the Kaunos Jazz Festival. He is one of the founding members of FB Music and Media Ltd and performs with the FB Pocket Orchestra.


Since 2020, Ollie has developed his work in event production, programming, and delivery. In 2020 and 2021, he worked as Live Music Programme Manager with Hampshire Cultural Trust, creating programmes for both online and in-person performances across three arts centres. Since 2022, he has delivered live music programming and technical stage production with 33rd Event Management across a range of outdoor festivals and large-scale public events.


He has worked in production management roles for Culture in Common, part of Arts Council England’s Creative People and Places programme, and with theatre makers Lucy Mellors and Abbey Wright. This work has supported the delivery of Arts Council-funded projects, including touring and installations in regional theatres and arts centres, with a focus on reaching broad and diverse audiences.


He has also worked as a production and technical consultant for The Tabernacle and Pine Fest.


Ollie’s work focuses on creating live events that are accessible, well produced, and clear for audiences, combining musical performance with practical delivery.

Our Project Partners & Supporters

Sophie Fullerlove - Evaluation Mentor



Sophie Fullerlove is a Cultural Consultant and Producer. She has a special interest in creating programmes that attract new audiences to cultural experiences. From 2013 – 2022 Sophie was Director and Chief Executive of The Spring Arts & Heritage Centre in Havant. Under her leadership the venue became known for its innovative and experiential programming. 


As a Cultural Consultant Sophie works with organisations on strategic projects and development. Her clients include Creative Forest (formerly Folio), Culture in Common, Wiltshire Creative and BearFace Theatre. As a Freelance Producer Sophie has produced events at Northern Stage, Queens Hall, Hexham, Theatre By the Lake and ArtsDepot. In 2023 she was Associate Producer for the UK tour of Michael Morpurgo’s I Believe in Unicorns by Danyah Miller Storyteller.


Sophie will act as an Evaluation Mentor on this project, advising the FB Pocket Orchestra on audience evaluation and supporting the collation of data.


Lionel Handy- Peer Reviewer


Lionel Hardy is an award-winning chamber musician and Fellow of the Royal Academy of Music. He was principal cello with the Academy of St Martin-in-the-Fields for ten years and has also performed as solo cellist with Bournemouth Sinfonietta. He has been guest principle at most leading UK orchestras including the Philharmonia, LSO, Halle, Royal Liverpool Philharmonic and English Chamber Orchestra. He has presented solo recitals at Wigmore Hall and the Southbank Centre.


Lionel has been a professor at the Royal Academy of Music since 1982 and teaches at the Birmingham Conservatoire in addition to summer schools throughout Europe.


Lionel’s interest in British Twentieth Century music has led to performances of the concertos by Finzi, Bax, Walton and Delius. With the London Sinfonietta he has worked with many of the leading composers of more recent times, including Tippett, Berio, Lutosłwski, Henze, Carter, Part, Birtwistle, Reich and Knussen. He has transcribed pieces by Brahms, Delius and Messian. 


Lionel will support out project as a peer reviewer, attending a performance and offering creative feedback on our artistic approach and the quality of the work. 


Paraorchestra - Peer Review, Inclusion and diversity

Paraorchestra is an award-winning ensemble and charity based in the UK, dedicated to redefining what an orchestra can be. Bringing together professional disabled and non-disabled musicians, Paraorchestra creates ambitious, high-quality performances that challenge traditional perceptions of classical music and champion inclusive practice. Their work spans large-scale concerts, cross-genre collaborations, and innovative digital projects, often presented in partnership with leading arts organisations.


Paraorchestra will support the project as a peer reviewer. Representatives from the production team at paraorchestra will attend a performacne and feedback on the accessability of our work



Chichester Festival Theatre - Technical Rehearsal

Chichester Festival Theatre is one of the UK’s flagship producing theatres. They are supporting our project with two days of technical  rehearsal space and tecnican support valued at £1800.00


Turner Sims Concert Hall - Marketing and Audience Insights

Turner Sims is acknowledged as one of the finest music venues in the country. Hosting over 60 concerts a year, it attracts internationally renowned performers such as Courtney Pine, Nicola Benedetti, Mitsuko Uchida and the Vienna Piano Trio. Situated on the University of Southampton’s Highfield Campus, the varied programme includes classical, jazz, folk and world music. Turner Sims will support the project with insights into audiecne behaviors and trends valued at £600.00